Posters, Prints and the Art of Michael Bedard
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The Art of Michael Bedard

Discover the exquisite taste and rich quality of hand-made gourmet chocolates with our Chocolate of the Month Club. We invite you to join with other chocolate club lovers and enjoy this timeless classic. The Chocolate of the Month Club is pleased to offer one pound box of gourmet chocolates delivered each month.Shelley HackSitting Ducks - Ducktown Adventures / Sitting Ducks - Aventuri in orasul ratelor pe VHSArtist: Bedard MichaelTitle: The Great White HypeSubject: ComicsSize: 69 x 79 cm , 27 x 31 Type: -Article#: BED536Comments or Examples:Examples: Missing information such as dimensions and model number, typos, inaccuracies, etc.----------------------------------------------------------------Julie ChristieParis HiltonErin GrayOnline Stores? ArtprintCollection - Canvas-Textured Framed Art PrintsCanvas-textured framed art prints at wholesale prices. Constantly expanding collection of world-class artists. ArtprintCollection - Canvas-Textured Framed Art Prints worldsearch /merchant/artprintcollection /Vintagearte(377)Print_Gallery(131)Sedonaron Collectibles(106)marrars Great Art On Canvas(76) T.K. Blue: Another Blue (autographed) 18.98 ar70351a Limited EditionPersonally autographed by T.K. Blue[Add to Cart] [View Cart]CrossingMichael Bedard26 in x 24 inBuy This Art Print At AllPosters Framed | Mounted8854Magnet For All That Ails You! For All That Ails You! Airheart, 4.50NEW FROM B&NA Little HistoryThe Telecom Act of 1996 opened the local loop to competitive carriers, for whom time to market was key. As a result, startup vendors sprang up in Silicon Valley and the world trying to quickly deliver relatively low-cost gear to these newcomers. These upstart service providers tended to make buying decisions much faster than the more regimented Bell companies, which going forward are expected to do the majority of the buying for telecom gear.Around the same time, the dot s hit the scene, with over-inflated expectations for Internet growth driving up the requirements for data equipment. In light of these great expectations for companies serving the dot set, the new residential digerati and old-line companies looking to get online, leading venture capitalists funded what looked like the most promising of startup telecom/datacom equipment providers. Others with money followed the leaders. At the same time, Baby Boomers trying to get a piece of the action, poured their money into tech stocks.A few months ago, it became apparent that many CLEC and dot business plans weren't viable. At the same time the computer industry was maturing, meaning Internet growth wouldn't continue as predicted. Several carriers, dot s and vendors went belly-up. The survivors severely scaled back their network or product development plans and their workforces.Capital expenditures of carrier networking gear was about 40 billion in the U.S. before the Internet boom, and then doubled to about 80 billion during the 1996-2000 boom years, says Hilary Mine, executive vice president of Probe Research Inc. She had no estimate of capital expenditures for 2001. I do not believe that SBC [Communications Inc.] or BellSouth [Corp.] or Verizon [Communications Inc.] or AT&T [Corp.] will see a significant drop off in capex, she says, but so many carriers have gone under or are scaling back, the kind of capex growth the market has seen in recent years is unsustainable.Sophie MarceauSitting on the Window LedgeJane Hissey11.75 X9.5 7.95Welcome to the whimsical world of Sitting Ducks, where life is good, food's a plenty, and alligators are lurking in neighboring Swampwood. One bird stands out amongst the flock - Bill. Well-liked, but seldom understood, Bill waddles to a different beat. He is a quirky, smaller than average duck with a big imagination and a secret fun loving side. Bill's best friend is Aldo, from the neighboring town of Swampwood, is a big lumbering bull-in-a-china-shop alligator, chock-full of rough edges. Aldo is also a tough guy with a soft centre. This unlikely friendship between these two creatures on opposite ends of the food chain sets the scene for unique challenges, and a lot of fun.From Publishers WeeklyBedard pits the iconic, yellow-billed white ducks featured in his posters against a carnivorous world in this alligator-y allegory. At first, the waterfowl don't seem to have a prayer. They hatch on a conveyor belt in a vast alligator-run factory, then their predators ship them off to Ducktown, where friendly placards encourage them to Eat a Lot and Fatten Up. (Bedard doesn't specify how the victims vanish from their seeming utopia, but alligator restaurants proudly serve duck soup.) Things change after a soft-hearted alligator adopts a duck and lets his pet in on a secret that could save Ducktown: physically fit birds can fly to freedom. Bedard, who styles his unlikely pair as soul mates, practices the same understatement seen in Tim Egan's Friday Night at Hodges' Cafe. His story can be read as a comment on Big Brother, vegetarianism or star-crossed lovers; his dry wit is such that the duck wanders into a Decoy Cafe modeled after Hopper's Nighthawks. Regardless, the narrative is primarily a vehicle for the crisp, mechanical artwork. Bedard uses clean, clear colors, hard edges and pebbled surfaces to construct his smooth-feathered, identical ducks and pudgy, Gumby-green gators. The strongest personality belongs to the anonymous alligator hero, who quells his hankering for his friend the duck by dreaming about chicken. All ages. 1998 Reed Business Information, Inc.



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